limitierte vinyl-lp inklusive downloadcode.

- 2 x 140g 12” vinyl - black gatefold sleeve - gold foil text - download card for wav files - original artwork by megan dixon / ora project innovative future beats duo ivy lab are set to release ‘death don t always taste good’, their debut album proper, t

zur feier des 15-jährigen jubliäums der veröffentlichung von dannii minogues »neon lights« erscheint das album nun erstmalig auf vinyl! zusätzlich enthält das 2lp package seltene bonustracks und remixe von jason nevins, amighty und tiga sowie die gefeierten mash up remixe »don’t wanna lose this groove« (aus »don’t wanna lose this feeling« und »into the groove« von madonna) und »begin to spin me round« (aus dead or alives »you spin me round« und »i begin to wonder«). also eine empfehlung für alle fans! dannii minogue selbst sagt dazu nur: »please turn the volume up loud enough to annoy your neighbours!« dem doppel-vinyl liegt ein downloadcode bei.

ursprünglich ein herausragender album-track von charles bradleys changes longplayer damals mit dem titel you think i don t know (but i know) verwandeln axelrod und co. den soulgroover kunstvoll in einen frühen reggae-groover a la bunny lee. charles klagender gesang bietet eine schöne gegenüberstellung zum unbeschwerten bounce des inversion island beats. auf der rückseite befindet sich die dub-version mit dem titel-strike three, glücklicherweise konnte cb diese version hören, bevor er starb, und er sagte: ooooooo! i love it!

28 classics from 50 years of northern soul on double vinyl, housed in a gatefold sleeve.

for those that knoe delves deeper into the archives once more to repackage a bundle of hard to find cuts on vinyl that have been staple supplies in ben s record bag over the years. the early to mid 2000s was a period of minimal techno overload, finding quality house music then was a challenge compared to today. rather than follow the herd, some european producers took influence from the original minimal pioneers and fused those approaches with house music themes in order to push a unique sound of the era. they turned minimal on its head and gave took it in a different direction. canson from switzerland released a handful of records between 2002 and 2005 that were a prime example of this aesthetic. stripped back beats with syncopated melodies - perfect cuts for those early sets or hazy morning sessions. the three tracks featured on this compilation were originally released on two solo eps for canson: itsudemo and holiday plug in, both of which have claimed squatter s rights in my record bag for almost 15 years. i don t think i ve played one early slot or house set without one of them. this record is quite a personal one for me as it s a representation of my deeper sound as a dj. now the original records are a little hard to find so im so glad to share my choice picks of cansons material on a my label.

on our tenth belters outing, we re borrowing the mighty fine bostro pesopeo from permanent vacation.. we ve been big admirers of his music for many years now and he contributed to our mix series back in the day. these particular tracks were actually ones he gave away on soundcloud and we immediately messaged him saying we d release them. took a while, but here there are. dj support from barnt, midland, erol alkan, etc.

there is no too much info about this strange and mysterious release. electro, idm, jazz-funk, disco and many more, scattered in 4 tracks made by unknown artists. don t sleep on this. only 100 copies available.

houseworx proudly welcomes gary romalis from the motor city! i guess we don t need the introduce this great artist anymore. gary released on some of the scene s big players like intangible records, slow town, rawax, housewax, skylax jutst to name a few. w re very excited to share the -back 2 basicz- ep with you

berlin based electronic mainstay marquis hawkes has announced details of his second lp ‘the marquis of hawkes’, due out 24th august 2018 on fabric’s in-house label houndstooth (home to call super, aïsha devi, special request and more). ahead of this, hawkes will also release a new single featuring acclaimed uk soul singer jamie lidell. the single, entitled ‘we should be free’, features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by hawkes himself. both this, and the essential previous single, “don’t u”, which featured the vocal talents of ursula rucker, will appear on the forthcoming album.

is / was is incredibly proud to introduce the enigmatic, insanely gifted, man-of-many-vibes himself, teakup. hailing from ohio, our man is yet another in a long lineage of shut-in freak-beat enthusiasts from the humble state. with a style referencing the melodic funk and swing of titonton duvante and the broken, advanced-beat wizardry of archetype, teakup steps into this proud heritage with a 4 tracker of various vibes sure to sate even the most discerning of dweebs. “lose my mind” is of the swung and jacking nü haus variety popularized by the will & ink lads. “shimmer” soothes with soft pads and throbbing bass while simultaneously spanking you upside the head with cracking snares and corrosive claps. “darkcore 2020” indulges in sci-fi breakbeat antics, earning the much sought-after status of “banger”. lastly, “i don’t fkn kno” slinks along in the timeless tradition of low-slung n’ swung house groovers. welcome to the sound of teakup.

one of our humble imprint s closest allies and a longstanding pillar of philadelphia s electronic music community, billy werner has been a constant presence in the booth at parties throughout the northeast corridor since 1998. we debuted his m//r alias in 2014 with the gathering response data 12- . since he s been busy bringing the grit to points beyond the city of brotherly love, putting in work for the likes of detailssound, l.i.e.s. and jackdept. most recently, he turned out a remix of karen gwyer s -why does your father look so nervous- for the rembo remixes on don t be afraid, as well as another for chaperone s -grit neglect- on the aforementioned snapbackbalaclava ep. written, recorded, and mixed over a period of 15 months, among the methods is in no small part a reflection of the affinities and sensibilities billy holds as both selector and producer. referencing a variety of influences from jazz to dub to electro, the album s allure stems from his deft ability to recontextualize those genres disparate aspects into a familiar–yet fiercely idiosyncratic–musical context. the end result is at once wildly fractured and precision-focused as among the methods finds its own seductive rhythm within a matrix of dub echoes and modulated low-end. it s heady ground,to be sure,as well as the most declarative aesthetic statement fromm//r to date. presented without further comment. the music is the message

having recently made his inaugural outing on brainfeeder with aphelion ep, british producer ross from friends aka felix clary weatherall returns with his debut album on flying lotus label. family portrait is characterised by a perpetual desire to experiment and felixs obsessive attention to detail, somehow marrying an intricately layered production style with warm, heavily saturated sonics that elevate, rather than stifle, his melodious funk. with a handful of revered 12inches under his belt via breaker breaker, lobster theremin, distant hawaii, magicwire and a 10inch on molten jets. family portrait showcases his ability to shift and evolve, moving from the world of lo-fi to the world of flylo, he demonstrates a versatility exemplified by the ease in which he can switch between playing shows with little dragon, holding down a peak-time slot in berghains panorama bar and performing live at maida vale for bbc radio 1. the double vinyl release includes a download code.

heya. varvet strikes again. this time with no less than techno veteran ben pest. ben who just started his own label over worx and before that releasing tons of records on labels such as bonus round, don t, i love acid just to name a few. he also released under the name black e together with cristian vogel on vogels sleep dept imprint. bens ep is 4 tracks of complete and utterly funky techno madness that will be hitting any dancefloor or twisted mind right in the stomach. first limited press is on solid green vinyl since this is bens favourite colour.

millie jackson spring sides exposed as fantastic recordings of great songs, played by remarkable musicians and sung by a truly amazing singer. remixed by steve levine to bring them into the sharpest focus.

lph060-pack-a play / pause a1. let me jacq 0:15 1:30 volume a1. let me jacq a2. one more time a3. movin kinda funky a4. don t wanna stop a5. war funk feels b1. java harem b2. never say never b3. just wanna play b4. make me feel good b5. bk slice artist jacques renault title bk club beats, breaks & versions label let s play house catalogue lph060 format lp dealer price £5.50 release date 20/07/2018 territory worldwide genre deep housedisco zip download audio samples & images description three years ago, a long-overdue and much-anticipated debut album from let s play house co-head jacques renault finally hit shelves, and now, the follow-up effort, the sophomore swing, arrives. if zentrum was a sprawling and aspirant full-length, bk club beats, breaks & versions is an exacting and focused rejoinder, a powerful, punchy, and succinct exposition of renault s skills and fortes. it s a deep-dive into the movements that sucked him into club music and a celebration of the inspirations that fueled his ascendance to dj and producer in his own right. what we give you here is an album of originals that have been conceived, orchestrated, and stitched together to function as a classic renault peak-hour set—classic house sounds sandwiched between hip-hop breaks and disco licks, all glued into place with his trademark full-bodied, colorful, swinging drums. the a-side has a daytime glimmer and glisten to it, a sunniness that imparts it with a distinct top-down-crisscross-through-the-city flavor. the flip is just as pumped and uptempo, but it has a rounder bottom and feels murkier, steamier, and, by extension, more late-night.

nils oliver frahm + peter ray broderick = oliveray. being musical companions and label buddies for many years, it was just a matter of time until peter broderick and nils frahm would start their first standalone project together. oliveray was born during a time when both artists were living in berlin and frahm supporting broderick on tour. their debut release wonders — a nice little collection of eight musical pieces — was released on erased tapes in 2011. the vinyl release includes a download code.

emergent russian producer legit trip is the next up on jack s house, serving up four slices of sleek, crisply produced tech house to work across a variety of scenarios. -answer- keeps things simple and effective, letting the bassline take the weight of the track and keeping the beat locked on course for maximum dancefloor efficiency. -organic- has a lighter, more rolling feel to it that nods to the outdoor, day time terrace crew, while -what- has a deeper bump that yearns for dimly lit basement vibes. -you got me- has an easy going house flavour to it that should slot nicely into the warm-up, but don t be fooled - there s plenty of weight in that low end to do the damage at any time of night.

paramidas love on the rocks imprint readies its eighteenth release, in this, the year of our lord, 2018 - the latest instalment on the ever-evolving, hard-to-define label is a decidedly non-dancefloor oriented, melancholic/euphoric instrumental number from promising lon-don/lisbon producers elles & violet.

the whiskey pickle crew turn their attention to a new partnership from steve cobby and laurie welton, the former being known for decades of djing, label management and producing alongside the likes of stephen mallinder for throne of blood. here the emphasis, as expected with whiskey pickle, is on disco with a slight leaning to the left. -absolute- is a bubbling jam laden with illustrious threads of melody, cosmic in nature but still rooted thanks to a rock solid rhythm section. -limoncello- is a more introspective affair that works with minor chords and a more intricate set of drums, but don t be fooled the groove is very much still intact. new york duo whatever/whatever bring a tougher dynamic to -absolute,- dialing in some beefy beats and amping up the synth touches for a surefire house heater. played by

nyc based label and radio show ethereal beatbox returns with 4 fresh cuts home cooked right here in the big city by two of its natives.
side a introduces the mysterious bowery hotline - a born and bred new yorker, crate digger, and crafty producer. starting things off right with tough and slappy b’more style rhythms and an ode to saucy diva vocals, “you tha one” is sure to shake any floor into submission. track 2 brings an irresistible boom-chicka mover “fanfare track”, perfectly blending rave, house, and that sweet snap of our favorite drum break of all time.
on the flip pastel voids label don metropol (c.perez) delivers a distinctly brooklyn sound with two house, techno and hip hop infused instant classics. “we accept ebt” is a guaranteed hype constructor nodding to euphoric moments of rave and chugging rhythms of inner city life. on a more contemplative tip, perez delivers “half court”, closing the ep with a kinetic reflection of his native sunset park and its vibrant streets.

bror records and jens records proudly present a gothenburg-strong collaborative effort with brorx1/jens009. on the a-side jens records mainstay pontus björland delivers “limits” with love karlsson on industrialesque vocals. a raw, distorted machine workout with an acid undertone.
bror records curator dj lily ups the pace with an energetic remix of “limits”, making the most out of its original dystopian atmospheric elements, presented at a steady 132 bpm.
the b-side holds the undisclosed gothenburg duo quackpac with the deadly and stunningly executed late hour excursion “earthquack”, measuring in an impressive 16 minutes (hint: don’t miss the last minute).

for our next excursion, we’re off to the library. in search of library records that is - you know the type, the crazy rare records used for soundtracks and such and such. we have a sick selection of synthed-up beats and pieces chopped together by one earl jeffers, making the most out of his international library digging card* (*not a real thing).
for those that don’t know, cardiff’s earl jeffers is one half of darkhouse family, regular family at our sister label, first word, on which they released their debut album “the offering” late last year. earl is a prolific producer in his own right, also releasing over the years under the aliases chesus and metabeats on labels like mcde, fat city and local talk, collaborating with artists like byron the aquarius, action bronson and kamaal williams / henry wu, turning his hand ably to house, hip hop, jungle, jazz and more. all this in addition to running his own label, mélange records.
a dedicated digger and record collector first and foremost, earl has provided us with a quadruple set of heavyweight stuttery sci-fi boom bap. in earl’s words: “this record was mostly inspired by my penchant for the more electronic / synthesized jams, mostly replayed from the original compositions then thrust in to 2028 and beyond….”

in the era of the brand, kutiman is an anomaly. a musician who’s a video artist who’s a producer who’s an animator who’s also the unwilling star of one of israel’s most successful recent documentaries, his every record contrasts with whatever it was that came before. but that’s fundamental to his appeal: no one, not even him, really knows what to expect next. unsurprisingly, therefore, ‘don’t hold onto the clouds’ is no different, which means it’s like nothing he’s ever done. most artists would acknowledge this by working under pseudonyms, but kutiman is – yes, you’ve guessed it – different again. “if i changed my name every time i wanted to do something new,” he laughs, “i think i’d have too many names!”

don mike paradinas, one of the most influential and respected artist of our time unleashing archives from the golden era. previously unreleased stuff selected by af and mike... so there s no need to say what you have to do. must.

the 4th album from eric b. & rakim, originally released in 1992, now back on 180 gram double vinyl with download code included.

ace mid 1980s bullwackies album w/ revised track listing (w/ download code)

it’s been a hot minute since the tropical sounds of mo kolours have graced the airwaves, so it’s with great pleasure that we see him return to 22a via a choice selection of cuts presented on a limited 7” vinyl, with original artwork designed by the man himself! this release is limited to 300 copies so don’t sleep!

capofortuna is a duo made up of legendary bologna-based house maestro, dj rame and multi-instrumentalist ricky cardelli from rimini. perhaps our housiest release to date. crush on you is an ep of particularly sophisticated forward thinking dance music. with glorious live instrumentation and joyous arrangements this is the kind of record that is going to slip right into many dj s collections. don t sleep on this one.

the first long player on pressure traxx welomes dario reimann from darmstadt. known for his releases on sensual, la peña or offm he shows here in full length why he is one of the most interesting new school producers out there. delivering 8 diverse cuts that will stand the test of time, easily. step into -dario s castle-

prfy 002 features four acid centered tracks by purify records co-founder and longterm goethebunker resident cramp. the first solo ep of the german dj and producer features four crafty club cuts suitable for a versatile range of settings. acid, techno, house, dub - it‘s all in there. don‘t sleep on this one!

following a standout appearance on dvs1’s mistress label with his “just pain” track, the man from minneapolis, doubt, returns to don’t be afraid for the first time since 2014’s “poor dog” ep. in the interim he has continued to record on disposable commodities under the doubt moniker, whilst also exploring experimental and ambient sound under the name time heals nothing.
for his most inclusive outing to date, doubt mines the outer limits of minimal house music whilst still maintaining the vibe of alienation and melancholy that characterises his work. the mood of “april” is euphoric and carefree but dig deeper and the fragile beauty also suggests an impending and ominous apocalypse. “what is happening” and “samusex” counterbalance the a-side’s brief suggestion of joy with a mood closer to doubt’s previous work. the title track meanwhile recalls the work of labels like ifach and trelik with a swinging, stripped down dub sound.

‘black lotus’ follows walton’s inclusion on tectonic’s landmark 100th release – riko dan’s ‘hard food’ ep, plus the ‘praying mantis’/ ‘koto riddim’ 12” (also on tectonic) and the ‘taiko’ ep on kaizen – the latter two of which hinted at the album’s sound, but didn’t fully prepare us for the brilliance to come. abstract electronics, grime, dubstep and new styles that don’t even have a name yet coalesce perfectly on this classic in the making. it finds walton at peak power, reaching just as far (if not more so) than anything on the pan, different circles, boxed or tectonic catalogues for pure futurism and new-terrain-traversing brilliance.

it is not the honor that you take with you, but the heritage you leave behind. we don’t have every day a rework of a classic techno milestone on a label that tries to push the boundaries of the future, but this time is the time. thomas schumacher represents one of those artists that was there since the very beginning, and he is the proof of how an artist can evolve in many ways during the years, but always been devoted to techno, and the meaning of it. “when i rock” was played all over the world for decades but now gets a brand new rework by label boss emmanuel, and the creator itself thomas schumacher. the record has a b/w sleeve cover design by caitlin schumacher on 12”.

after running parties in liverpool for nearly a decade, abandon silence turn their hand to releasing music rather than relaying it with the launch of abandon silence records. the label will be used as an output for the sounds of their legendary parties with a series of club tracks ready for dancefloors beyond the north west. the label also focuses on new talent, with a preference to those from liverpool and merseyside, with the first release coming from scouse native lucas welle.

richard searling’s music & memories from wigan casino 1973-1981 - the soundtrack to the book “setting the record straight”.

seriously dope 4 track disco edits ep. first up is jaz. the south carolina native is at the top of the disco edits game, with records out on universal cave, rotating souls, and passport to paradise. “the endť” is a 90bpm monster. easily suited for lovers of balearic, one of those rare slow tracks that can really rock a dance floor. the patchouli brothers are up and comers from toronto, with a 12” on basic fingers, “cheat, lie, kill, dieť” is a mid tempo stomper. a versatile track easily blended with disco or house, and a hook so catchy, crowds are singing along before the end of the track. will martin opens up the b-side with pure fire. “rock me again” is the transformation of a 2 minute james brown production into 7 and a half minutes of dance floor ecstasy. martin is known for lo-fi house, with releases on 2mr, dolly, argot, and supply records. studebaker hawk closes us out with the b-boy jam, “say africa”. breaks for days, and even a heavy guitar solo. this track is for lovers of deep disco, classic hip hop, and afrobeat. limited run so don t sleep on this one!

regulars at the spearhead presents clubs nights, macca & loz contreras step up for their debut ep on spearhead records. this is classic liquid drum & bass at its finest. support from all the usual suspects...

mighty dnaondna (heteroerotic asphyxiation, oiwa) manufactures strictly strictly s magical 3rd release and offers nothing than power, power, power: erratic opener the//grind pushes you into the flow with restless uk-ish breaks before haifa slaps you hard with its violent rhythm and epic bassline. don t move on the b-side chases you with its 145bpm acid breaks to finally eject you struggling for breath. a dangerous adventure!

streetman records kicks it off with three low-flyin’ edits. momma’s callin’ may wanna make you jack it back to your house, but thirtythree n third will keep you hanging at the curb. don’t forget about no more fuck ups, cause between the slap of a funky guitar and the snap of a snare drum, you can easily miss your step. three stone cold edits from the street!

re-issue from italian house instigator enrico mantini which is going to set another mark in his discography. 4 of mantini’s best tracks from years 2012 - 2014 personally chosen by the artist from mantini’s very own label down da mountains.

we are happy to introduce a new release and a new project from ben vedren and chez damier, a new collaboration that has been in the making for some time now. side aa1 presents a unique sound in its vibe, kind of a minimal track. the french discussion/vocal in the background adds another dimension. you don t need to speak the language to understand what s going on, but you must wonder at some point: do i understand french or is it the music that made me understand them? an -organ- sound intervenes towards the end bringing power and light to the hall. it s eleven minutes of pure music! while -aa- is composed of two different remixes of a different track, -berlin nights in paris- it can probably be called the house anthem. it starts strong with some acid sound and is filled with a lot of wonderful elements. like a gourmet meal, you wonder if the track shouldn t have been at least three times longer to satisfy the gluttony of the listen. the techno remixes of the track. it s a perfect example of detroit meets house. techno track can, with no doubt, feed and drive the dance floor. no need for more than five words to describe it – it s a serious techno track.

the definitive best of compilation from the prince of darkness on 2x12 inch 180 gram vinyl. “memoirs of a madman” serves as a career spanning audio release featuring 17 of ozzy osbourne’s greatest hit singles remastered and compiled in one place for the first time in his career. “paranoid” was recorded live at roundhouse, london 2010 - previously unreleased.

artefacts of rotation is asc at his experimental best. once again, the theme is one of deep space exploration, showing a natural progression from return of the emissary, and sitting somewhere between that and the recent album, astral projection. hypnotic drum programming, spiralling atmospheric elements, layers of sublime pads, plus the usual healthy dose of bass - it’s all here in abundance, ready for the listener to don their space suit and dive in head first.

the saver flex ep offers up no less than four seriously catchy house jams. blue shoe kicks off the proceedings with some funked up percussion, which immediately shows that kolja s background as a drummer has taught him a thing or two about groove. a looping organ lick, some little shouts in the background, big stabs and a massive kick drum push the track forward. cleverly arranged breakdowns allow for a couple of breathers to keep the party action going throughout. moving on to lax wax , we ease up a little with a lighter beat on top of which filtered piano chords, a live bass and just a touch of guitar set the perfect mood for an organ solo that simply oozes summer vibes. buggel runter rutschen keeps the mood nice and sunny while adding more punch with snappy kicks and snares – a hugely danceable foundation for these guys to show us what is so great about 70s and 80s disco and funk that these styles are amongst their biggest influences. you had better ask a german what kagghaufen means, we don t want to put you off your dinner. we hope it will be just as tasty as this track is with its pounding, straight beat, which is counterpointed by bouncy congas, funky vocal cuts, beautiful pads and healthy dose of squelchy acid for good measure. all of this is effortlessly combined to round off the ep in style.

two incredible 70s soul cuts from the o jays get the reissue treatment for 2018. the a side contains the mighty for the love of money, a near 7 minute cautionary tale to the dangers of greed and exploitation. for the love of money. people will lie, lord, they will cheat. for the love of money. people don t care who they hurt or beat. as pertinent now as it was in the 70s if not more so considering current affairs. a much sampled record, loved by many! on the flip darlin darlin baby (sweet, tender, love), the second hit single off the o jays album message in the music, is a romantic soul serenade with that killer gamble and huff production philly s finest!

description: for our fourth record we re extremely happy to present the first ep of our limited series, made by the talented italian duo blue mondays. their -don t lie- has a lot of disco and funk influences, revisited in a classy house key: a perfect match between new and old school. in the b side we re so glad to have the house music pioneer from chicago: paul johnson. his version is more dub and raw, with some hypnotic disco samples and dirty snares that makes it so groovy. the other remix has been entrusted to the label owner alessio collina. he goes with his usual 909 groove, filtered samples and dreamy strings that reminds more some classic house records from the 90s

hard lack records style